This article provides a complete, chronological discography of Ali Project, from their formative EPs to their cult classic LPs. 1. This Is How It Feels to Be Lonely (1996 – Fierce Panda Records) Ali Project’s debut album arrived at the peak of the trip-hop boom. Recorded in a disused warehouse in Hackney, the album strips the genre to its skeletal core. Unlike the lush orchestrations of Dummy , this record is claustrophobic and raw.
"Static in the Cathedral," "The Keeper," "Crows of the Fens" Sound: A hybrid of 4AD dream-pop and Basic Channel’s dub techno. Notable: Features a guest appearance by saxophonist Iain Ballamy. 3. Shadowboxing the Afterglow (2003 – Accidental Records) After a four-year hiatus, Ali Project returned with their magnum opus. This album saw Friend abandon digital samplers for a full analog studio setup. The result is a dense, psychedelic journey that touches on library music, free jazz, and dark ambient. ali project discography
Formed in London in 1994 by producer/multi-instrumentalist (later of Red Snapper fame) and vocalist Claire Lemmon , Ali Project existed in the liminal space between jazz, dub, trip-hop, and ambient noir. Their sound was characterized by double bass growls, skeletal beats, and Lemmon’s ethereal, Nico-esque vocals. Though their commercial footprint was modest, their influence looms large over the deep trip-hop and slow-motion electronica genres. Recorded in a disused warehouse in Hackney, the
This article provides a complete, chronological discography of Ali Project, from their formative EPs to their cult classic LPs. 1. This Is How It Feels to Be Lonely (1996 – Fierce Panda Records) Ali Project’s debut album arrived at the peak of the trip-hop boom. Recorded in a disused warehouse in Hackney, the album strips the genre to its skeletal core. Unlike the lush orchestrations of Dummy , this record is claustrophobic and raw.
"Static in the Cathedral," "The Keeper," "Crows of the Fens" Sound: A hybrid of 4AD dream-pop and Basic Channel’s dub techno. Notable: Features a guest appearance by saxophonist Iain Ballamy. 3. Shadowboxing the Afterglow (2003 – Accidental Records) After a four-year hiatus, Ali Project returned with their magnum opus. This album saw Friend abandon digital samplers for a full analog studio setup. The result is a dense, psychedelic journey that touches on library music, free jazz, and dark ambient.
Formed in London in 1994 by producer/multi-instrumentalist (later of Red Snapper fame) and vocalist Claire Lemmon , Ali Project existed in the liminal space between jazz, dub, trip-hop, and ambient noir. Their sound was characterized by double bass growls, skeletal beats, and Lemmon’s ethereal, Nico-esque vocals. Though their commercial footprint was modest, their influence looms large over the deep trip-hop and slow-motion electronica genres.
지금까지 플레이하신 다음 회원 여러분들의 소중한 게임정보를
사전 이관 기간 내 신청하신 분들께만 드리는 특별한 혜택도 받아보세요!
