For a moment, the air in the booth shimmered. A sound like a slammed door echoed from somewhere far away. Then silence.

With a steady hand, she tore the page out. Folded it once. Twice. Then she held the corner to the tip of a soldering iron on her workbench—a tool she’d used to fix a broken preamp hours earlier. The paper caught. Burned. Curled into ash.

Arden stood up slowly. She pulled a worn leather journal from her bag—the one filled with lyrics she’d never shown anyone, because they weren’t hers. They’d come through her, like water through a crack in a dam. On the last page, in ink that looked darker than it should, she’d written the chorus of “The Bone Chorus.”

She was twenty-two, though her hands looked forty. Calluses from guitar strings, a thin silver scar across her left thumb from a broken bottle at a dive bar in Prague. Her hair—dyed the color of bruised plums—fell in tangled ropes past her shoulders. The world knew her as a ghost. A voice that had leaked out of Eastern European bootleg CDs and underground radio stations in the dead hours of the night. No face. No interviews. Just the music.

“You’ve been singing our songs, little sparrow.”

Arden exhaled. She picked up her guitar—a beat-up Martin with a cracked tuning peg—and played a single, clean chord. No voices beneath it. No ghosts. Just her.

She’d thought it was dementia.