The irony? For Facts Sake exists only as a bootleg PDF. You won’t find it on Amazon or in bookstores. It was never officially "published"—it was leaked. And in that leak, it did what Daisley’s lawsuits couldn’t: it convinced the public. Today, most streaming services have partially restored his credits, and the 2011 "30th Anniversary" editions finally reinstated his and Kerslake’s original tracks.
It is a rare example of the "loser" writing the first draft of history. Bob Daisley lost millions, but he won the Wikipedia page. And for any musician signing a contract, For Facts Sake is required reading—a ghostwritten autobiography by a man who refused to remain a ghost. “I wrote those songs on a nylon-string guitar in a hotel room. The bass parts came last. But the credits came never.” — Bob Daisley (from the PDF’s introduction) Bob Daisley For Facts Sake Pdf 1
This is where the enters the legend.
Yet, by the mid-1980s, his name had been systematically erased from the albums’ credits, replaced by Ozzy and Sharon Osbourne’s chosen names. Royalties vanished. The master tapes were even altered—firing Daisley and Kerslake’s original drum and bass tracks and replacing them with new, inferior ones for the 2002 "remasters." The irony
If rock and roll history were a court of law, Bob Daisley’s For Facts Sake would be the sworn affidavit that the music industry tried to bury. For decades, Daisley was the invisible hand behind Ozzy Osbourne’s most celebrated solo work— Blizzard of Ozz and Diary of a Madman . He didn’t just play bass; he co-wrote nearly every lyric and musical arrangement alongside Randy Rhoads and Lee Kerslake. It was never officially "published"—it was leaked
Door een account aan te maken in deze winkel kunt u het betalingsproces sneller doorlopen, meerdere adressen opslaan, bestellingen bekijken en volgen en meer.
Register (registreer)You have no items in your shopping cart
