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Greta Gerwig’s blockbuster was pink, plastic, and hilarious—but it also featured a monologue about the impossible standards of womanhood that made grown adults cry in packed theaters. It proved a massive point:

In a fractured world, the media we choose to consume is the wallpaper of our minds. Choose wallpaper that inspires you, challenges you, or makes you laugh until your stomach hurts.

But 2024 and 2025 are proving that audiences are rebelling against mediocrity. Look at the massive success of sprawling, ambitious projects like Dune: Part Two , Oppenheimer (yes, a three-hour biopic about a physicist broke a billion dollars), or the emotional gut-punch of The Last of Us . InTheCrack.14.07.01.Foxy.Di.Set.937.XXX.IMAGESE...

Audiences are craving earnestness. We want to care about things. We want heroes who are actually heroic, romances that are actually romantic, and endings that aren't afraid to be hopeful. The "well, that just happened" style of writing is feeling dated. We are finally exiting the "Peak TV" hangover. For a while, every network was greenlighting everything. The result? A firehose of unfinished eight-episode mysteries that got cancelled on a cliffhanger.

You don't have to watch the new Star Wars show just because it exists. You don't have to finish a book you hate. You don't have to listen to that podcast just because it’s #1 on the charts. But 2024 and 2025 are proving that audiences

Here is what is actually happening in popular media right now. For years, studios chased the algorithm. They wanted content that was "just good enough" to keep you watching but not so challenging that you would turn it off. We called this "mid"—safe, predictable, forgettable.

Not because the plot was confusing, but because you were scrolling on your phone for half the runtime. We want to care about things

Turn off the phone. Dim the lights. Watch something that makes you feel alive.

Because the best cure for the doomscroll isn't more content—it’s one great story.

We want to feel the heat of the desert, the weight of history, or the ache of a character’s loss. Passive viewing is out; visceral experience is in. For the last decade, irony ruled pop culture. Everything had to be a meta-joke. Characters had to wink at the camera. If a moment got too sincere, we had to undercut it with a quip.

We don’t need infinite scroll. We need a good story we can sink our teeth into. Here is my challenge to you: Stop treating entertainment like a chore to get through.