RAMELLA & C.
Textile machines
made in Italy since 1947
made in Italy since 1947
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The carding machine is the heart of the spinning mill.
After the scoured fiber has been opened with the picker, the carder disentangles the unorganized tufts and aligns the individual fibers into a parallel arrangement.
The carder achieves this by passing the fibers between differentially moving rollers covered with card clothing.
As the fiber moves through the machine, the carding process ejects short fibers and begins blending different fiber types or colors.
India is not a country in the conventional sense, but a continent of astonishing diversity bound together by a shared civilization ethos. To speak of "Indian culture and lifestyle" is to describe a living, breathing entity—an ancient river that has absorbed countless tributaries over five millennia while retaining its essential character. From the snow-capped Himalayas to the tropical backwaters of Kerala, the Indian way of life is a complex, vibrant tapestry woven from threads of spirituality, family, ritual, cuisine, and artistic expression. It is a culture where the past is not a relic but a constant, active companion to the present.
Contemporary India is a land of dynamic tension. The rapid spread of technology, a booming startup culture, and Western influence are dramatically reshaping lifestyles, especially in metropolitan cities. Dating apps, nuclear apartments, and fast food are becoming commonplace. Yet, tradition is resilient. An Indian software engineer in Bangalore may code in C++ by day, but he will likely remove his shoes before entering his home, seek his mother’s blessing before a new venture, and celebrate Diwali with as much fervor as his ancestors did a thousand years ago. This ability to absorb, adapt, and synthesize the new with the old is the true genius of Indian culture.
India’s artistic heritage is fundamentally narrative. Classical dance forms like Bharatanatyam, Kathak, and Odissi are not mere performances but forms of silent storytelling, using intricate hand gestures (mudras) and facial expressions to depict epic tales from the Ramayana and Mahabharata. Classical music, with its Hindustani (northern) and Carnatic (southern) traditions, is built on the framework of raga (melody) and tala (rhythm), aiming to evoke specific moods and times of day. In stark contrast, the ubiquitous Bollywood film industry synthesizes all these elements—drama, music, dance, and romance—into a quintessentially modern, yet deeply Indian, art form that serves as the nation’s primary cultural unifier. Namitha Hot And Sexy Desi Video From Pachakuthira.flv
Indian culture and lifestyle cannot be reduced to a checklist of customs. It is a flowing, syncretic river—sometimes calm, sometimes turbulent, but always alive. It is the scent of jasmine and sandalwood, the cacophony of marketplaces and the silence of meditation caves, the flavor of a thousand spices, and the resilience of a family bond. In a world racing toward homogenization, India remains a vibrant testament to the beauty of complexity, reminding us that a culture is not a museum piece, but a continuous, unfinished conversation between the ancestors and the unborn. To live the Indian way is to accept that chaos and order, the sacred and the profane, the ancient and the ultramodern, do not conflict—they dance.
The Indian lifestyle is punctuated by rituals (samskaras) that mark every stage of life, from conception to cremation. Yet, beyond grand ceremonies, it is the small daily habits that define the rhythm: the sweeping and decorating of the doorstep with a rangoli (colored powder design), the sounding of the temple bell at dawn, and the practice of yoga and meditation, which originated here as a science of self-realization. Ayurveda, the ancient system of holistic medicine, continues to influence dietary and health practices, emphasizing balance, seasonal eating, and the use of natural herbs. This ritualistic structure provides a sense of order and continuity in a land of often-chaotic sensory overload. India is not a country in the conventional
Indian lifestyle is a feast for the senses, and nowhere is this more evident than in its cuisine and attire. Food is deeply local: the fiery, mustard-oil-laced curries of Bengal, the coconut-infused stews of Kerala, the tandoor-grilled meats of the Punjab, and the delicate, saffron-scented biryanis of Hyderabad. While vegetarianism is widely practiced out of religious and ethical principles (ahimsa, or non-violence), the overarching philosophy is one of balance—the six tastes (sweet, sour, salty, bitter, pungent, astringent) should ideally be present in every meal. Similarly, clothing is an art form. The sari , draped in over a hundred different ways, is not just a garment but a living history. The kurta-pajama for men and the elegant lehenga for women are not reserved for festivals alone; they coexist with modern jeans and t-shirts, reflecting a society comfortable with juxtaposition.
Unlike cultures that compartmentalize religion into a specific day or building, in India, spirituality is an ambient, everyday reality. It seeps into the mundane: the morning prayer (puja) at the household shrine, the chai wallah who begins his day with a chant, the auto-rickshaw painted with images of gods and goddesses. Hinduism, practiced by a majority, is less a rigid dogma and more a vast, pluralistic philosophy that accommodates atheism, polytheism, and monotheism simultaneously. Coexisting with it are the profound traditions of Islam, Sikhism, Buddhism, Jainism, and Christianity, each leaving an indelible mark on the cultural landscape. This omnipresence of faith manifests in a calendar crowded with festivals—Diwali (the festival of lights), Eid, Holi (the festival of colors), Pongal, and Christmas—each transforming the nation into a riot of joy, where streets become stages for communal celebration, breaking down barriers of class and creed. It is a culture where the past is
At the heart of the Indian lifestyle lies the joint family system. Unlike the nuclear families prevalent in the West, traditional Indian homes often house three or four generations under one roof. This structure is not merely an economic arrangement but a profound social and emotional ecosystem. Elders are revered as the custodians of wisdom and tradition, children are raised with a sense of collective responsibility, and decisions—from marriages to career moves—are often made collectively. This deep-rooted collectivism fosters a powerful support network, ensuring that no individual faces crisis alone. However, rapid urbanization and economic migration are slowly reshaping this model, giving rise to nuclear families, yet the gravitational pull of familial duty and emotional interdependence remains a defining feature of Indian life.
The Ramella carder has a long conveyor for feeding the fiber into the inlet, after which the fiber is carded by the large main drum and 5 worker rollers.
At the exit the doffer roller and high-speed fly comb create a fiber web, which can be rolled to produce a batt or pulled through a twister to produce sliver.
The carder is mounted on a solid steel support structure and is completely enclosed by an external safety cage.
The carder can be equipped with an automatic feeder and/or a can coiler.
We produce carding machines with 2 different working widths:
• 80 cm (32") suitable for small production facilities and laboratories
• 100 cm (40") the standard ideal for typical small mills with medium production
The productivity of the carder depends on the type of fiber worked and the temperature and humidity conditions in the mill, but, for example, sheep wool run through the 100 cm (40")
carder can generally be processed at a rate of about 6 kg (13 lb) per hour.
For maximum flexibility the user can produce either sliver or batts from the carded fiber.
In the first case, it is possible to obtain a continuous ribbon (sliver) that can be further processed by drafting and spinning in order to make yarn.
In the second case, the web can be rolled onto a cylinder to create a batt of desired thickness.
Both output devices are included with the standard version of the machine.
With the Ramella carder, several output choices are available.
• Machine mounted twister and batt roller. This is the most economical choice for those who will produce either sliver or batts without switching often between the two.
• Trolley mounted twister, batt roller and rug yarn maker. The wheeled trolley cart allows easy switching between the sliver twister and the batt roller without the need to reconfigure the machine or lift the heavy roller.
This choice is ideal for those who will regularly produce sliver, batts and rug yarn.
The batt roller is available in 2 sizes: circumference 100 cm (40") and circumference 200 cm (80").
With the basic version of the Ramella carder you can create sliver and batt from raw fibers but we can also offer optional machines to make the process easier and more automated.
• The automatic feeder weighs the fibers and creates a uniform layer on the carder conveyer, which minimizes the manual work necessary to load the carder.
• The can coiler winds the sliver into a compact, continuous coil, which facilitates transport of the fiber from one machine to the next and allows uninterrupted feeding of the sliver into the drafter or spinner.
We have designed a unique real-twist system that strengthens the output sliver and prevents sliver breakage, especially when carding low cohesion fibers such as alpaca.
This system consists of a rotating funnel with varied speed control, allowing the user to precisely define the amount of twist added to the sliver, which then enters a set of rollers that assist in delivering the sliver to the coiler can.
Three different funnel sizes come standard with the machine, allowing maximum control of the sliver thickness.
The Ramella carder easily handles typical fiber staple lengths from 4 cm (1.5") to 15 cm (6"), with some mills also processing 20-25 cm (8-10") suri fiber.
With standard card clothing, fine fibers with a thickness as little as 2 to 3 microns can be carded.
If required, we can also furnish a carder with a finer wire designed specifically for processing extra-fine fibers, as low as 0.7 micron.
Small production mills use our carding machine to process fibers like sheep wool, alpaca (both huacaya and suri), angora, cotton, yak, bamboo and hemp.
Industrial laboratories test synthetic fibers such as polyester, polyethylene, nylon, and aramid.
The carder is driven by 4 independent motors that are electronically controlled by inverters.
However, the exit speed is electronically coupled to the inlet speed, allowing the user to increase or decrease the carding productivity during a run without changing the weight of the sliver.
The electronic controllers are contained in a panel with filtered ventilation to protect the sensitive electronic parts.
The control dials are easily accessed on the outside of the panel and every parameter can be easily adjusted on a large touchscreen.
Button panels located on both sides of the carder allow simple starting and stopping of the machine at both the entry and the exit.
For maximum safety, our carding machine is fully enclosed by an external frame made of anodized aluminum, which is lightweight, yet sturdy, and resists corrosion.
The protective doors are hinged so they can be quickly and easily opened for cleaning and maintenance.
Three automatic safety devices prohibit the doors from being opened while the machine is running.
The safety structure protects the worker while allowing a wide view and the complete control of the machine during the process.
The carding machine is equipped with a high-speed fly comb that removes the fibers from the doffer roller.
The structure of the fly comb is balanced so as to reduce vibrations and minimize wear of the bearings.
The lever control allows easy adjustment and quick maintenance of the blade.
The fly comb is mounted on oscillating bearings with seals that can be easily lubricated, with 4 screws to allow accurate positioning with respect to the distance from the doffer cylinder.
The fly comb blade connectors are covered with a smooth tin plate that eliminates rough surfaces where fiber could catch, ensuring the formation of an even fiber web at the exit.
• An extremely solid and stable structure, made to last.
• The components are machined for maximum precision and quality.
• The cylinders are driven independently by 4 motors with electronic speed control.
• The rigid card clothing is durable and allows quick cleaning after each carding run.
• All cylinders are mounted on sealed ball bearings without bushings.
• A modern design specifically created to meet the needs of small production mills and laboratories.
In carding machines two factors are critical, the solidity of the structure and the precision of the mechanical parts.
The Ramella carder is characterized by a 4 cm (1.6") thick, fully machined steel frame connected by solid steel crossbeams. This structure is approximately 10 times stronger than one formed from welded tubes.
Furthermore, all of the rotating parts are precisely machined and are equipped with micro adjustment, which permits exact roller positioning at micron distances, but more importantly, once the positioning is set, it does not move, resulting in both a consistent, high quality product and longer machine life.
Built to last, all surfaces are painted or chemically treated to resist corrosion.
Every single detail of the Ramella carding machine has been designed using modern 3D CAD.
All of the components have been designed to obtain a high-performance machine with an excellent quality/price ratio.
Even the electric panel has been designed in order to make the use of the carder simple and intuitive.
We use CNC lathes, milling machines and modern laser cutters in the production of the carder components that we make in-house.
The steel used is of premium quality and all of the commercial components come from suppliers with well-known brands.
In addition to the features mentioned above many other details give value to our carding machine:
• The use of sealed bearings instead of bushings ensures a long machine life and continued quality output for many decades.
• The supports of the worker and stripper rollers have an upper cover that can be easily removed for quicker maintenance.
• The use of rigid card clothing allows the machine to quickly self-clean after each run.
• A solid input unit with 3 rollers plus a licker-in roller enhances fiber tuft opening, resulting in effective carding with just one pass.
• Spare parts are readily available on the market.
Electric specifications:
Installed power: 4.5 kW + 0.4 kW (Can coiler)
Power consumption: 3.4 kW
Single phase 230V 50/60Hz (customizable)
Size (length x width x height):
Carder 800 mm: 3110 mm x 1770 mm x 2200 mm (122'' x 70'' x 87'')
Carder 1000 mm: 3110 mm x 1970 mm x 2200 mm (122'' x 78'' x 87'')
Download CAD layout drawing - Carder version 800 mm - 32'' (PDF version)
Download CAD layout drawing - Carder version 1000 mm - 40'' (PDF version)
India is not a country in the conventional sense, but a continent of astonishing diversity bound together by a shared civilization ethos. To speak of "Indian culture and lifestyle" is to describe a living, breathing entity—an ancient river that has absorbed countless tributaries over five millennia while retaining its essential character. From the snow-capped Himalayas to the tropical backwaters of Kerala, the Indian way of life is a complex, vibrant tapestry woven from threads of spirituality, family, ritual, cuisine, and artistic expression. It is a culture where the past is not a relic but a constant, active companion to the present.
Contemporary India is a land of dynamic tension. The rapid spread of technology, a booming startup culture, and Western influence are dramatically reshaping lifestyles, especially in metropolitan cities. Dating apps, nuclear apartments, and fast food are becoming commonplace. Yet, tradition is resilient. An Indian software engineer in Bangalore may code in C++ by day, but he will likely remove his shoes before entering his home, seek his mother’s blessing before a new venture, and celebrate Diwali with as much fervor as his ancestors did a thousand years ago. This ability to absorb, adapt, and synthesize the new with the old is the true genius of Indian culture.
India’s artistic heritage is fundamentally narrative. Classical dance forms like Bharatanatyam, Kathak, and Odissi are not mere performances but forms of silent storytelling, using intricate hand gestures (mudras) and facial expressions to depict epic tales from the Ramayana and Mahabharata. Classical music, with its Hindustani (northern) and Carnatic (southern) traditions, is built on the framework of raga (melody) and tala (rhythm), aiming to evoke specific moods and times of day. In stark contrast, the ubiquitous Bollywood film industry synthesizes all these elements—drama, music, dance, and romance—into a quintessentially modern, yet deeply Indian, art form that serves as the nation’s primary cultural unifier.
Indian culture and lifestyle cannot be reduced to a checklist of customs. It is a flowing, syncretic river—sometimes calm, sometimes turbulent, but always alive. It is the scent of jasmine and sandalwood, the cacophony of marketplaces and the silence of meditation caves, the flavor of a thousand spices, and the resilience of a family bond. In a world racing toward homogenization, India remains a vibrant testament to the beauty of complexity, reminding us that a culture is not a museum piece, but a continuous, unfinished conversation between the ancestors and the unborn. To live the Indian way is to accept that chaos and order, the sacred and the profane, the ancient and the ultramodern, do not conflict—they dance.
The Indian lifestyle is punctuated by rituals (samskaras) that mark every stage of life, from conception to cremation. Yet, beyond grand ceremonies, it is the small daily habits that define the rhythm: the sweeping and decorating of the doorstep with a rangoli (colored powder design), the sounding of the temple bell at dawn, and the practice of yoga and meditation, which originated here as a science of self-realization. Ayurveda, the ancient system of holistic medicine, continues to influence dietary and health practices, emphasizing balance, seasonal eating, and the use of natural herbs. This ritualistic structure provides a sense of order and continuity in a land of often-chaotic sensory overload.
Indian lifestyle is a feast for the senses, and nowhere is this more evident than in its cuisine and attire. Food is deeply local: the fiery, mustard-oil-laced curries of Bengal, the coconut-infused stews of Kerala, the tandoor-grilled meats of the Punjab, and the delicate, saffron-scented biryanis of Hyderabad. While vegetarianism is widely practiced out of religious and ethical principles (ahimsa, or non-violence), the overarching philosophy is one of balance—the six tastes (sweet, sour, salty, bitter, pungent, astringent) should ideally be present in every meal. Similarly, clothing is an art form. The sari , draped in over a hundred different ways, is not just a garment but a living history. The kurta-pajama for men and the elegant lehenga for women are not reserved for festivals alone; they coexist with modern jeans and t-shirts, reflecting a society comfortable with juxtaposition.
Unlike cultures that compartmentalize religion into a specific day or building, in India, spirituality is an ambient, everyday reality. It seeps into the mundane: the morning prayer (puja) at the household shrine, the chai wallah who begins his day with a chant, the auto-rickshaw painted with images of gods and goddesses. Hinduism, practiced by a majority, is less a rigid dogma and more a vast, pluralistic philosophy that accommodates atheism, polytheism, and monotheism simultaneously. Coexisting with it are the profound traditions of Islam, Sikhism, Buddhism, Jainism, and Christianity, each leaving an indelible mark on the cultural landscape. This omnipresence of faith manifests in a calendar crowded with festivals—Diwali (the festival of lights), Eid, Holi (the festival of colors), Pongal, and Christmas—each transforming the nation into a riot of joy, where streets become stages for communal celebration, breaking down barriers of class and creed.
At the heart of the Indian lifestyle lies the joint family system. Unlike the nuclear families prevalent in the West, traditional Indian homes often house three or four generations under one roof. This structure is not merely an economic arrangement but a profound social and emotional ecosystem. Elders are revered as the custodians of wisdom and tradition, children are raised with a sense of collective responsibility, and decisions—from marriages to career moves—are often made collectively. This deep-rooted collectivism fosters a powerful support network, ensuring that no individual faces crisis alone. However, rapid urbanization and economic migration are slowly reshaping this model, giving rise to nuclear families, yet the gravitational pull of familial duty and emotional interdependence remains a defining feature of Indian life.
Every single detail of the Ramella carding machine has been designed using modern 3D CAD.
All of the components have been designed to obtain a high-performance machine with an excellent quality/price ratio.
Even the electric panel has been designed in order to make the use of the carder simple and intuitive.
We use CNC lathes, milling machines and modern laser cutters in the production of the carder components that we make in-house.
The steel used is of premium quality and all of the commercial components come from suppliers with well-known brands.
In addition to the features mentioned above many other details give value to our carding machine:
• The use of sealed bearings instead of bushings ensures a long machine life and continued quality output for many decades.
• The supports of the worker and stripper rollers have an upper cover that can be easily removed for quicker maintenance.
• The use of rigid card clothing allows the machine to quickly self-clean after each run.
• A solid input unit with 3 rollers plus a licker-in roller enhances fiber tuft opening, resulting in effective carding with just one pass.
• Spare parts are readily available on the market.
Electric specifications:
Installed power: 4.5 kW + 0.4 kW (Can coiler)
Power consumption: 3.4 kW
Single phase 230V 50/60Hz (customizable)
Size (length x width x height):
Carder 800 mm: 3110 mm x 1770 mm x 2200 mm (122'' x 70'' x 87'')
Carder 1000 mm: 3110 mm x 1970 mm x 2200 mm (122'' x 78'' x 87'')
Download CAD layout drawing - Carder version 800 mm - 32'' (PDF version)
Download CAD layout drawing - Carder version 1000 mm - 40'' (PDF version)
