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Pride And Prejudice - 1940

The campaign unfolded with exquisite awkwardness. At Netherfield, while nursing a sick Jane, Elizabeth became a thorn in Darcy’s side—brilliant, impertinent, and utterly unimpressed by his fortune. He found himself watching her, fascinated by the way her mind danced faster than her feet ever could. She, in turn, found herself infuriated by his every observation.

Her five daughters assembled like a chorus of angels in varying states of alarm and hope. The eldest, Jane, serene as a Botticelli Venus, merely smiled. Elizabeth, her father’s favorite and the family’s sharpest wit, raised an eyebrow. Mary, the bookish one, sighed about the ephemeral nature of male attention. Kitty and Lydia, giddy as foals, immediately began calculating the number of officers likely to accompany Mr. Bingley to the local assemblies.

The Meryton Assembly was a whirlwind of organza and expectation. Mr. Bingley proved as charming as rumored—all smiles and easy compliments. He danced twice with Jane, his heart visibly tumbling from his chest. His sister, Caroline, was a coiling serpent of silk and sneers. But it was his friend who stopped the room cold. pride and prejudice 1940

The comedy of errors deepened with the arrival of the ludicrous Mr. Collins, a clergyman built like a pompous pigeon, who proposed to Elizabeth in a speech of such staggering self-regard that she rejected him with a laughter that echoed through the house. Then came the dashing Mr. Wickham, a militia officer with a dazzling smile and a tragic story of how Darcy had cruelly denied him his inheritance. Elizabeth, her judgment clouded by her own wounded pride, swallowed the tale whole.

"You appear to study my character, Miss Bennet," he said one evening, his voice low. "I am a student of the absurd," she shot back, "and you are a most excellent specimen." The campaign unfolded with exquisite awkwardness

Elizabeth’s fury was a living thing. "Why with so evident a design of offending me, you chose to tell me that you liked me against your will, against your reason, and even against your character?" She struck him with the truth: his cruelty to Wickham, his destruction of Jane's happiness. "From the very first moment of our acquaintance, your manners impressed me with the fullest belief of your arrogance, your conceit, and your selfish disdain for the feelings of others!"

When Elizabeth discovered the truth from her giddy, insufferable aunt, Lady Catherine de Bourgh herself descended upon Longbourn like a thunderstorm in a feathered turban. "I forbid the match!" she thundered. She, in turn, found herself infuriated by his

The third act swept into a dizzying farce. A scandal erupted: Lydia had run off with Wickham. Elizabeth braced for ruin. But in the film’s most cinematic turn, it was Darcy—tall, stern, secretly tender—who found them, paid Wickham a fortune to marry the foolish girl, and saved the Bennet name. He did it all in silence, without a word of expectation.

Elizabeth heard it. Her dark eyes flashed with a fire that had nothing to do with the chandeliers. She repeated the slight to her friends with a laugh just a shade too bright, filing it away not as a wound, but as a weapon. The war was declared.

The Hertfordshire countryside in the late 1830s, as imagined by the sparkling mind of Metro-Goldwyn-Mayer, was not a place of muddy hems and quiet parsonages. It was a confection of lace, velvet, and perfectly coiffed ringlets, where the sun always seemed to slant through drawing-room windows at a flattering angle. And into this gilded world, the greatest catastrophe imaginable had arrived, rumbling up the lane in a chariot of polished mahogany and four perfectly matched grays: Mr. Charles Bingley.