This is not Rick and Morty season seven-and-a-half. It is a separate, parallel-universe fever dream. And after ten episodes, one thing is clear: It is the most ambitious, frustrating, and visually stunning piece of animation the franchise has ever produced. Adult Swim was surprisingly honest when they called this an "anime." Unlike the main show’s manic ADHD pacing, Season 1 operates on dream logic. The plot, as much as it exists, follows a "Space Shogun" version of Rick who is locked in a temporal war with the Galactic Federation. But that’s just the A-plot.
The action sequences—particularly a chase scene where Rick’s spaceship transforms into a giant Mecha-Godzilla to fight a Space Pope made of black holes—are fluid and brutal. However, the show is also obsessed with stillness. Long, silent shots of Miss-Space-Waist (a new anime-exclusive character, voiced by Ai Fairouz) staring at a vending machine as reality glitches around her are common. It’s arthouse, not action-adventure. This is where the experiment falters for some. Justin Roiland’s replacements (Ian Cardoni and Harry Belden) do not voice the anime versions of Rick and Morty. Instead, the Japanese voice actors are used for the emotional heavy lifting, with English subtitles. Rick and Morty- The Anime - Season 1
Wubba Lubba Dub-Dub... in Kanji.
"I understood none of the plot, but I felt all of the entropy." That might be the best way to describe the experience of watching Rick and Morty: The Anime , the long-gestating, mind-bending companion series from director Takashi Sano (known for Tower of God and The God of High School ). This is not Rick and Morty season seven-and-a-half
When the English dub arrives, the original cast sounds wrong here. Hearing Chris Parnell’s Jerry deliver a line like, "My existence is a placeholder for your disappointment," in his usual deadpan tone lacks the raw, Akira -level screaming that the Japanese script demands. You will want to watch this subbed. Score: 3.5 / 5 – "Alienatingly Brilliant" Adult Swim was surprisingly honest when they called
The true focus is on emotional isolation. Sano takes the core family trauma—Morty’s desperate need for approval, Summer’s teenage nihilism, and Jerry’s pathetic fragility—and cranks the melodrama to 11.