The film’s thesis—that Van Gogh’s ear was a scream for connection, not just a symptom of madness—has spilled into university syllabi. In the “All Categories” search, you find a syllabus from NYU titled “Empathy Through Animation.” You find a Reddit thread in r/psychology where a therapist uses the film’s “flame-like cypresses” to explain emotional dysregulation to a teenager.

The algorithm got it wrong. There is no category for this. It isn’t a film. It isn’t a biography. It is a contagion. Loving Vincent is the only movie in history that punishes you for watching it without trying to become the artist.

The subject of this particular deep dive is Loving Vincent (2017), the world’s first fully painted feature film. On the surface, it is a biographical drama about the death of Vincent van Gogh. But if you search for it across all categories —e-commerce, academia, DIY crafts, psychology forums, and auction houses—you discover that the film is not merely a movie. It is a ghost, a curriculum, and a dare.

And you realize, finally, that you weren’t searching for a movie. You were searching for permission. Have you ever searched for a film in "All Categories" and found something unexpected? Share your rabbit hole in the comments below.

Finally, you filter to “True Crime & Conspiracy.” Here, the film disappears and the man reappears. For every search for the movie, there are three searches for the myth.

There is a specific kind of magic that happens when you type a title into a search bar and, instead of clicking the first clean result, you toggle the filter to “All Categories.” You are no longer just looking for a movie time or a Blu-ray price. You are an archaeologist of obsession.

We aren’t watching the movie anymore. We are using it as a Rorschach test.

In “All Categories,” the movie becomes a footnote to the mystery. You realize that Loving Vincent succeeded too well. It made the artist so alive, so tactile, that audiences immediately rejected his death. We search for the film to find solace, but the algorithm drags us back to the cold, hard floor of the Yellow House.

You find a YouTube tutorial with 12 million views titled “How to paint like Loving Vincent in 20 minutes (fail better).” The comments are a confessional. “I ruined three canvases today. I think Vincent would understand.”

Scrolling further, you find Etsy listings selling “Van Gogh brushstroke replicas” used by the film’s animators. The category blurs. Is this a prop? A collectible? A relic? When you search for a film in “All Categories,” a movie ticket becomes a communion wafer. You realize that Loving Vincent wasn’t distributed; it was dispersed . Every frame is a unique original. The film itself is just the shadow cast by 65,000 separate canvases.

“Did Dr. Gachet really kill Van Gogh?” “Loving Vincent deleted scene: The gun theory.” “Why the film ignored the ‘sunstroke’ hypothesis.”