Taboo American Style Part2-Raven- Gloria Leonard-
Taboo American Style Part2-Raven- Gloria Leonard-
Taboo American Style Part2-Raven- Gloria Leonard-
Taboo American Style Part2-Raven- Gloria Leonard-
Taboo American Style Part2-Raven- Gloria Leonard-
Taboo American Style Part2-Raven- Gloria Leonard-
Taboo American Style Part2-Raven- Gloria Leonard-
Taboo American Style Part2-Raven- Gloria Leonard-
Taboo American Style Part2-Raven- Gloria Leonard-
hi-fi Sansui
Q-55 (1958)
Sansui Q-55 Vintage Mono Tube Amps Amplifiers
Sansui Q-55 Mono Tube Amps Amplifiers
Sansui Q-55 , , , , ..
, 6CA7PP GT .
, Sansui Q-55 , .
.
.
: 50 ; : 30 - 20 >3 ; : 0,8% (100 ), 0,5% (1 ), 0,7% (10 ); /: - 65 ; : 16 ; : AC100 , 50/60 ; : : 391 , : 196 , : 125 ; : 10,5 .
Q-3535 (1958)
Sansui Q-3535
Sansui Stereo Power Amplifier Q-3535
, . , , . , , - , 50 . .
Sansui Q-3535 high end. Q-3535 1958 6CA7 (EL34). Sansui Q-3535 35 . Sansui , Q-50 (6CA7 PP 50 ), Q-55 (6CA7 PP 50 ) Q-101 (6CA7 PP 100 ), , Q-3535 Sansui.
, Q-3535 , . high end Q-3535 Sansui .
SM-30 (1960)
Sansui Super-Mighty Amplifier Model SM-30
Sansui SM-30
SM-30 Sansui. SM-30 Composite Design Show. SM-30 - 12- Triennale . - Hashimoto electric, Sansui - 1958 , , , - .
1959 - . SM-20 . SM-30 , SM-20. SM-30 2- ( AM), FM-. SM-30 Sansui, .
SM-80 (1961)
Sansui SM-80
Sansui Super-Mighty Amplifier Model SM-80
Taboo American Style Part2-Raven- Gloria Leonard-
Sansui SM-30 1961 SM-80. SM-80 25E5, 33 1%.
SM-80 SM-30 . SM-30, , SM-80 , NPN ( ; ). Sansui, Sansui .
: -111 (-111 -111 1999 2000 ) .
, , Sansui : Sansui , .
: 40 ; : 10-80,000 +/- 1 ; : > 1% 33 ; : 8, 16 32 .
AM/FM 1000 (1963)
Sansui Model 1000
Sansui Model 1000,  AM/FM Multiplex Tuner Amplifier
AM/FM Sansui 1000 , 1000A. Sansui. , 1000A 1000, , .
, , 1000 SM-80. 1000 SM-80. SM-80 , 1000 . 1000 , . Sansui 1000 Sansui, 1970- .
(IHFM): 100 ; RMS : 2 x 40 (1% HD); : 0,1% (1 ); : 20-20000 +/- 1 ; : 8 16 .
AU-70 (1964)
Sansui AU-70
Sansui ontrol Amplifier Model AU-70
2002 , Sansui hi-fi Sansui AU. , Sansui , 07, 1976 AU-707, AU-717 .
Sansui AU-70 1964 . Sansui AU-70 , " AU". Sansui AU-70 , "7" - Sansui. AU-70 Sansui, (7189A PP) .
AU-70 .
: 25 ; : 10 - 80 1 ; : 0,15% (1 ); : 8 16 ; : 13,7 .
AU-111 (1965)
Sansui AU111 tube amp
Control Amplifier Model AU-111
1965 , . . , Sansui , , Sansui. , , . Sansui AU-111 hi-fi.
(IHFM): 96 ; : 2 45 ; : 0,8%; (50 5, 5 ): 0,8%; AUX: 20 - 50 1 ; (IHFM) AUX:- 80 ; :-70 ; Phono: 45 , AUX: 50 ; : 8 16 ; : 4 6L6GC , 5 12AX7, 2 12BH7A, 1 6AQ8; : 2 2SC-402; : SW-0.5a 2 SW-0.5d; : AC100V/117V/220V/240V, 50Hz/60Hz; : 280VA; : : 460 , : 170 ( ), : 345 ; : 24,5 .
CA-303 (1967)
Sansui Tube Amps preamp CA-303
SANSUI CA-303
AU-111 1965 , Sansui , , . 1967 Sansui CA-303, , , . 7T, Marantz, , - .
: 2 (), 10 (); 10 50000 ; /: 80 ; : 0,1%; : : 435 , : 155 , : 281 ; : 10 .
C BA-202 (1967)
Taboo American Style Part2-Raven- Gloria Leonard-
Taboo American Style Part2-Raven- Gloria Leonard-
Sansui . Sansui BA-202 .
, 1965 Sansui SAX-300. SAX-300, 1966 Sansui SAX-600.
BA-202 , . BA-202 6RA8. , Sansui BA-202 - Sansui; .
(IHF): 26 ; : 2 11 ; : > 0,5%; (AUX): 20 - 50000 +/- 1 ; : 8 16 ; : : 346 ; : 143 ; 271 ; : 14 .
C BA-303 (1967)
Sansui  BA-303
Amplifier BA-303
Sansui , , Sansui . . , Sansui KT-88. BA-303, , , CA-303. , Sansui .

Taboo American Style Part2-raven- Gloria Leonard- Page

Raven, by contrast, is all nervous energy and quickened breath. She plays Nikki with a convincing arc: from genuine fright to hesitant fascination, and finally to a shattering, desperate abandon. The film’s pivotal scene is not a sex scene, but a conversation on a velvet settee where Barbara calmly outlines her philosophy: “Desire doesn’t have a family tree, darling. Only fear does.” Watching Raven’s character process—and accept—this logic is genuinely affecting.

Enter Raven, playing the naively alluring "Nikki." In a clever bit of casting, Raven's character is introduced as a friend of the family—younger, more vulnerable, yet possessed of a smoldering curiosity. She arrives seeking refuge, unaware that Barbara sees her not as a guest, but as the final piece in a twisted psychosexual game.

Taboo: American Style Part 2 (Raven/Leonard segment) is not for the casual viewer seeking nostalgia. It is difficult, uncomfortable cinema that uses the adult film format to explore genuine pathologies of control, loneliness, and inherited trauma. Leonard proves she was far more than a porn star—she was a noir villainess trapped in the wrong genre. Raven, often overlooked in the canon, delivers a career-best performance as the lamb who volunteers for the slaughter. Taboo American Style Part2-Raven- Gloria Leonard-

★★★★☆ (4/5) For the unflinching psychological realism and the unforgettable sight of Gloria Leonard playing chess while a world burns around her.

This segment lives or dies on the chemistry between its two leads, and it delivers a slow-burn masterclass. Leonard, in her mid-40s at the time, commands every frame with a pantherine grace. Her voice—that legendary, whiskey-and-cigarettes alto—turns mundane phrases into threats and promises. When she explains the "rules" of her house to Nikki, there is no coercion, only the terrifying power of absolute confidence. Raven, by contrast, is all nervous energy and

Gloria Leonard, already an icon of unapologetic female authority from her classic era work, steps into the role of Barbara, a woman who has already crossed every line of desire and survived. Having witnessed the fallout of the previous film's events, Barbara is no longer a participant but an orchestrator. She is the cool, silk-voiced puppet master, watching from the shadows of her lavish, decadent home.

Following the incendiary success of the first installment, Taboo: American Style Part 2 doubles down on its thesis: that the most dangerous taboos aren't found in dark alleys, but in the well-lit living rooms of the American suburbs. While the original film shocked audiences with its nuclear family transgression, this sequel pivots to a more psychologically complex—and arguably more unsettling—dynamic, anchored by the formidable pairing of Raven and Golden Age legend Gloria Leonard. Only fear does

The physical culmination of their story is notable for its emotional brutality as much as its eroticism. It is shot with a claustrophobic intensity, alternating between Leonard’s detached, instructional guidance and Raven’s raw, almost painful surrender. It is not romantic. It is transactional, hungry, and deeply melancholic. Leonard remains the unshakeable sun in this universe; Raven is the comet that burns up on approach.

SpyLOG
@Mail.ru
HotLog
+7 (926) 906-6548
+7 (495) 771-2800