Aoife glances at the small auxiliary screen mounted on the handlebar riser. The FLIR (Forward-Looking Infrared) system is the trike’s secret weapon. It paints the world in ghostly white and cold black. The sheep look like walking furnaces. The rabbits are blurs of static. But tonight, near the old pier at Ros an Mhíl, something is wrong.
Byrne kills the speaker. "They bought the trike. Not me. The machine." Trike Patrol - Irish
By: [Author Name]
Byrne nods. This is the dance. The trike is not for high-speed pursuits on the motorway. That is for the Mitsubishis and the Audi estates. The trike is for the margins . It is for the farm lanes that lead to abandoned piers. It is for the boreens that cut behind the fuel depot. It is for the land that is neither land nor sea—the transitional zone where fuel laundering, cigarette smuggling, and more organised darkness bleed into the rural landscape. Aoife glances at the small auxiliary screen mounted
Out west, past Galway, where the map frays into a fringe of limestone and bog, the standard patrol car is a liability. The roads have no shoulders. The hedgerows lean in like whispering conspirators. A saloon car is too wide, too slow to turn, too blind to the dips and rises. The Trike—a modified Can-Am Spyder, stripped of its touring comforts, painted in the deep blue and day-glo yellow of the force—is a scalpel where the patrol car is a hammer. The sheep look like walking furnaces
It is 3:00 AM on a Tuesday in November. The diesel smell of a small farmyard mixes with the iodine of the sea. Garda Cillian Byrne kills the engine on his RT-P (the police-spec model) and listens. The silence is not empty. It is a living thing, filled with the percussion of dripping blackthorn and the low grumble of a distant timber lorry that shouldn’t be running this late.
Forty-five minutes. The men will be gone in fifteen. That is the math of rural policing. The trike got them here in time to see the crime, but not in time to stop it. Byrne is used to this. The trike is a witness, not a weapon.